Ann Goldstein
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The story of Elena and Lila begins in a poor but vibrant neighbourhood on the outskirts of Naples. The two girls learn to rely on each other ahead of anyone or anything else, sometimes to their own detriment, as each discovers more about who she is and suffers or delights in the throes of their intense friendship. There is a piercing honesty about Ferrante's prose that makes My Brilliant Friend a compulsively readable portrait of two young women,...
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"Giovanna's pretty face is changing, turning ugly, at least so her father thinks. Giovanna, he says, looks more like her Aunt Vittoria every day. But can it be true? Is she really changing? Is she turning into her Aunt Vittoria, a woman she hardly knows but whom her mother and father clearly despise? Surely there is a mirror somewhere in which she can see herself as she truly is. Giovanna is searching for her reflection in two kindred cities that...
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"The ... saga of two women: the brilliant, bookish Elena and the fiery, uncontainable Lila. In this book, both are adults; life's great discoveries have been made, its vagaries and losses have been suffered. Through it all, the women's friendship, examined in its every detail over the course of four books, remains the gravitational center of their lives"--Amazon.com.
The brilliant, bookish Elena and the fiery uncontainable Lila have made life's great...
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Soon to be an HBO series, book three in the New York Times bestselling Neapolitan quartet about two friends in post-war Italy is a rich, intense, and generous-hearted epic by one of today's most beloved and acclaimed writers, Elena Ferrante, "one of the great novelists of our time." (Roxana Robinson, The New York Times)
In the third book in the Neapolitan quartet, Elena and Lila, the two girls whom readers first met in My Brilliant...
In the third book in the Neapolitan quartet, Elena and Lila, the two girls whom readers first met in My Brilliant...
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"Here, in these four crisp essays on writing and reading by the internationally bestselling author of My Brilliant Friend and The Lying Life of Adults, Ferrante offers a rare look at the origins of her literary powers. She writes about her influences, her struggles, and her formation as both a reader and a writer; she describes the perils of "bad language" and suggests ways in which it has long excluded women's truth; she proposes a choral fusion...