Bernadette Dunne
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In the years between her first public lecture in 1961 and her last in 1981, Ayn Rand spoke and wrote about topics as different as education, medicine, Vietnam, and the death of Marilyn Monroe. In The Voice of Reason, these pieces are gathered together in book form for the first time. Written in the last decades of Rand's life, they reflect a life lived on principle, a probing mind, and a passionate intensity. With them are five essays by Leonard Peikoff,...
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This remarkable, newly revised collection of Ayn Rand's early fiction—now including the previously unpublished short story, “The Night King”—ranges from beginner's exercises to excerpts from early versions of We the Living and The Fountainhead. Arranged chronologically, from 1926 through 1940, these works allow readers to follow the extraordinary trajectory of Rand's literary and intellectual growth, from a twenty-one-year-old Russian immigrant...
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After the publication of Atlas Shrugged in 1957, Ayn Rand occasionally lectured in order to bring her philosophy of Objectivism to a wider audience and apply it to current cultural and political issues. These taped lectures and the question-and-answer sessions that followed added not only an eloquent new dimension to Ayn Rand's ideas and beliefs, but a fresh and spontaneous insight into Ayn Rand herself.
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In the 1960s and early 70s, the most prominent, vocal cultural movement was the New Left: a movement that condemned America and everything it stood for: individualism, material wealth, science, technology, capitalism. While the New Left achieved limited political success, it brought about vast cultural changes that remain with us to this day. The reason is that while its representatives faced some political opposition, they faced little-to-no fundamental...
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In this beautifully written and brilliantly reasoned collection of essays, Ayn Rand throws new light on the nature of art and its purpose in human life. Once again, Rand demonstrates her bold originality and her refusal to let conventional ideas define her sense of the truth. Rand eloquently asserts that one cannot create art without infusing it with one's own value judgments and personal philosophy—even an attempt to withhold moral overtones only...